Showing posts with label NSW. Show all posts
Showing posts with label NSW. Show all posts

Wednesday, June 13, 2012

Polo Crosse @ Euberta

Not to be mistaken for plain old polo, polocrosse is perhaps the mongrel version of the regal game. The difference, so it was explained to me by a very knowledgeable lass (that's her in the last three photos), is that at polo you eat caviar and drink Moet while at polocrosse you eat salt 'n' vinegar chips and drink rum...

I'd watched polocrosse from a distance, sitting up in the grandstand at the Sydney Royal Easter Show, but I had never been up close, nor had I been to a fair dinkum country carnival so it was certainly an experience, arriving at the Euberta showground to be met by a scene of chopped up fields ringed by horse floats, trucks and pillars of light blue smoke from the many camp fires rising slowly into an overcast sky with the thundering of hooves and vocal, tongue-in-cheek jeers...

Under leaden skies two players battle for the ball
Players look on as their team vie for possession
The agility of the rider and horse is nothing short of impressive!
Shooting for goal
BYO toy ute and John Deere excavator...
Watching for the throw in
Charging down the field, hooves thundering on the turf
A mammoth hit dislodges the ball from an opponents racket
If you want to know more about polocrosse or are interested in finding your closest club, check out the Polocrosse Association of NSW's homepage.

As always make sure you head over and like my FB page to keep up to date with everything that's going on.

Tuesday, April 10, 2012

Carcoar, Charlie and Colleen

Doorway - Icely Street, Carcoar
Over the Easter long weekend, our family made the usual trip from Junee to Katoomba; this time though, with the Good Friday holiday, we had the rare opportunity of making the trip in daylight!

The Belubula River runs through the
center of the village.
Carcoar is a small village, nestled in the Belubula Valley partway between Bathurst and Cowra in the State's Central West region. At one point it was the third most populous town west of the Great Divide, but has now slipped back to a sleepy but charming little village. The village itself, with its sheltered position, small cottages and numerous deciduous trees is reminiscent of a small English country village.

As a child and in my early teen years, I visited Carcoar quite often with my father to visit two sisters - Rita and Thelma, both well into their eighties - who owned a farm we used to fish, hunt and camp on. And because of this I have very fond memories of the place.

 While Nic and Lilly did a lap of the main street I wandered about with the camera.



Entrance - Icely St, Carcoar
Carcoar Courthouse
In the doorway of the local grocery shop sat an old bloke with, what I guessed to be his wife, standing behind them. Seeing the opportunity, I approached and asked whether or not I could take a couple of photos.

Their names are Charlie and Colleen...

Charlie and Colleen
Charlie and Colleen

After taking a few photos I got chatting to them both, asking about their history with Carcoar. As it turns out they both not only knew of my father (he had been visiting Rita and Thelma for a long time before I came along) but remembered his name, occupation and where we came from and all of this 15 or so years after our last visit.

Charlie finally displayed his dry sense of humour with his
explanation about the boxers' stance...
 As we were chatting Charlie quickly got up from his seat on the front step of their shop and took on the stance of an old school boxer. Looking behind me, a young boy stood there, mimicking his stance. Charlie took a couple of shuffles toward the boy who, with a bit of a chuckle took off to hide behind his fathers' legs (the family were walking down the main street). With a wry smile and seeing the confused look on my face he explained "Only one in town I still have bluffed..."




Tuesday, March 13, 2012

For Those Doing it Tough


A collage of images of the Murrumbidgee River 6 March 2012

As many of you would know, our region of NSW was recently on the rough end of some very wet weather that led to both flash flooding and riverine flooding and the inundation of many homes, businesses and community buildings.

As a way of giving to those whose lives have been turned upside down by this flooding I'm offering up three shoots - one corporate and two portrait - for free. I know that this will not replace those memories, photos and heirlooms lost by the torrid surge, but it will at least help to create new ones.

So if you know of a family who've done it tough with this disaster, or a business that wants to announce to the world that they're back on their feet, send me an email through the contact page on my website (www.willbartonphotography.com.au/Other/Contact) before 16 April 2012 with your nominee's details and whether you're nominating them for a corporate or portrait package. Every nomination I receive will then go into a draw.

A bit of fine print: unfortunately due to time and travel constraints, I can only consider nominees who live within an 80km radius of Junee despite this disaster having a much farther reach.

Please share this among your friends and networks!

- Will

Thursday, January 5, 2012

2012 Packages, Prices and Specials!

In welcoming in the new year I've put together my first ever packages and rates for portraiture and corporate work. It has taken me a couple of days to put these together to make them as affordable as possible.

You can find the packages and prices under it's own tab (here).

To herald in this new chapter of my photography, for a limited time I'm offering a 25% discount on any portrait or corporate package. To redeem this discount all you need to do is visit my Facebook page (Will Barton Photography), print out the coupon and book a package for either January or February!

Thursday, December 1, 2011

Stormage!

Tuesday evening saw some pretty impressive storms roll through the region. Unfortunately I could only dedicate about 20 minutes to photographing their approach before we were overcome by strong winds, rain and hellishly close lightning!






These storms led to Wagga experiencing its wettest November day on record and also resulted in the wettest November recorded.

Thursday, November 10, 2011

How to Shoot Lightning


Lightning in the hills West of Wagga Wagga 9/11/2011

So last night we had a half decent light show; the first of the season however fleeting it was. And while I was standing out on the side of the road, swatting the occasional mozzy and listening to the rolling waves of thunder, a comment from another weather enthusiast was on my mind: "I wish I knew how to photograph lightning..."

Well, what an excellent topic for a blog!

The thing about lightning is that it happens quickly, damn quickly. Occasionally you'll be lucky to get a storm that produces pulsating lightning (where the bolt travels from the cloud to the ground a number of times) and when this happens you almost have a shot at reacting fast enough to capture it just as you would any other scene.

But these are rare occurences and certainly in my time it has not happened more than once or twice. So we need other methods to try and capture these fleeting demonstrations of Mother Nature's power.

Essentially there are two methods: a lightning trigger and long exposures (you can read about exposures here).

Lightning triggers - and I won't go into the electronics because I wouldn't have the foggiest - work by sensing the pulse of light and relaying a signal to the camera. These are almost essential for capturing lightning during bright daylight conditions (the above photo, although it appears to be during the day, was a 15s exposure. So the scene, to the naked eye was actually quite dark) unless you are willing to fire away like a machine gunner under attack and hope that you catch one by fluke. Now for most people (including myself) a lightning trigger, which can set you back as much as $400, is simply not worth the few occasions a year you might actually get a chance to use it. That leaves us with long exposures...

Lightning over Coolamon - luck of the Irish!
For a long exposure to work (and I'm probably suggesting anything over 5 seconds, depending on how frequent the lightning is) it needs to be fairly dark. Of course you could stop down your appeture, thereby restricting the amount of light that gets through, but this will really limit you to close up lightning; probably too close for comfort! Ideally you want to be working with appetures f/8 and under.

In terms of exposure, you want to start thinking about trying to get 5s or longer. Once it gets really dark - as in during the night - if you want any chance of capturing a bit of detail in the foreground or  the clouds you're also going to need to start looking at exposures longer than 30s. For this you will need a camera that has a "bulb" option for the shutter. This allows you to hold open the shutter indefinitely. Of course you won't be able to physically hold down the shutter button indefinitely, so to overcome this problem you need to get yourself a suitable remote. This can be anywhere from $10 for a grey import through to a couple of hundred for a genuine fully featured remote. This will also solve blur issues of handling your camera while the shutter is open.

Now with long exposures comes the need for a solid rest for your camera; a tripod is an absolute must. You can pick up a great one for under $200 and for anyone serious about photography, they're simply priceless.

The toughest part of all this (not an issue during the day) is focusing. I've had many a rip-snorting lightning strike ruined because I hadn't yet got the focusing spot-on. Of course your best bet is to hope that there are some lights on which to focus at about the same distance from you as the lightning, but in the rural and regional areas this can be pretty tough to find. If you don't have any lights or objects on which to focus, you can try focusing to infinity (a symbol like an 8 on its side) and then bringing the focus back just a tad, taking a photo and checking it out (again, the beauty of digital!) before adjusting it and repeating.

One little trick is to - during the day - grab your lens and a whiteout pen and make some very small marks on the barrel of the lens and the focus ring (if you have a lens with no markings and making sure you don't gum up the lens) at varying distances. The distances vary from person to person and personally I have just one that corresponds to lightning ~40km away on my common landscape lens. You can then use that during the night to arrive at the correct focus sooner, minimising the number of superb strikes that you miss out on while getting the focus right.

So that is pretty much it; all you have to do now is wait patiently for a storm in the right spot, at the right distance and without rain effecting you to give it a go - and that happens all the time doesn't it?!

One quick note on safety though: lightning is deadly and unpredictable. A bolt can strike tens of kilometres ahead of, to the sides or rear of a thunderstorm. There are no real rules for lightning, it will hit high points, it will hit low points and it can just as easily hit you if you're too close. Keep in mind too that you will probably be running around with a long metal pole (your tripod) so just keep your distance and don't be afraid to pull back if you think it's getting too close.

Be prepared for disappointment: in a small version this
doesn't look too bad, but unfortunately the focus is way
out, ruining an otherwise terrific lightning shot!